Speaking of dogs, the group exhibition I was in called Every Dog Will Have It's Day has just come to a close, (held at the dog-gone Casula Powerhouse Arts Centre in Sydney, curated by Sophia Cai and Kathleen Linn).
My work in the exhibition was this triptych titled "Underdog, Hotdog, Western bulldog".
The triptych consists of a big canvas painting of an underdog, a ceramic hotdog, and a ceramic sculpture of a book by now retired AFL Western Bulldogs footballer Bob Murphy.
But my Bob Murphy book sculpture wasn't the only ceramic book I made for the exhibition because in the lead up to the opening of the show I also made this sculpture of an exhibition catalogue about another person in the show, the great Sydney based artist Anastasia Klose, from her 2011 Gertrude exhibition "I Can't Stop Living".
Here's the sculpture photographed in my backyard.
Did you know that apparently in the Middle Ages when we needed some copying done we couldn't just go to Officeworks? Instead, there were Monks whose job it was to individually reproduce manuscripts by hand.
I'm reading a great book at the moment all about the history of libraries and it says that supposedly these Monks believed "The very act of copying out texts by forming each letter and each stroke by hand was itself an act of observance and devotion".
I really like that quote because it's definitely how I feel when painting away on a lot of my sculptures, like the inside cover of this ceramic Anastasia Klose catalogue.
Anyway though, at the end of the day I guess it's all just a bit of Monk-y business
And here's a photo from the opening of Anastasia and I, standing in front of both our work.
In other exciting news, I've got three drawings in an exhibition that's just opened at the Melbourne Town Hall Gallery. The show is all about the decline of the newspaper industry, and it's titled Ink in the blood: The life of Melbourne's newspapers.
The exhibition is curated by Andrew Stephens, a former journalist for the The Age newspaper, and the show's on until to February 17th, 2018. Which means, just like if you were holding a stack of newspapers, you've got Ages.
And in really fantastic news, the City of Melbourne have acquired all three of my drawings in this exhibition for the Victorian state collection.
Here's one of the drawings, titled 'five people on the train reading The Age'.
Other than that, just two blocks up the road, is the group exhibition I'm in about Artist Books at the State Library of Victoria, which is still on until November 12. The feedback for this show has been seriously amazing so please check that out too if you can!
And the last thing to mention for today is that I'm super thrilled to be a finalist in the upcoming 2017 Woollahra Small Sculpture Prize, opening on the spooky day of this Friday the 13th. So if you're in Sydney at the end of the week then please join me for the exhibition opening, here's your invitation;
In the meantime though I hope you're having a nice week, being kind to others and being kind to yourself. And finally, here's a ceramic sculpture I made of a Rainbow Paddlepop.