Thursday, January 31, 2013

Chipping in a little

Hey pal, great to see you. What've you been up to? Chipping away at things?

Here's a painting I did a little while back, it's acrylic on 225gsm paper, 15 x 22cm.

It's called Salt and Vinegar.

I think that's all for now, I'm not really in the mood to blog today, I've got a chip on my shoulder about it.

Monday, January 21, 2013

MARCO...

Hey pal, good to see you.

So ok, I talked about the exhibition I was in at Alaska Projects two blog posts ago, but I guess what I didn't mention about that show is the top I wore to the opening.

In honour of the brilliant Sydney artist Tom Polo, who curated the show, I dug up one of my year eleven high school shirts and with a few hours to go before the opening I rummaged around Kings Cross until I found a tube of paint and a brush.

And so here's the result; Tom Polo and me in my Tom polo.


I wore the shirt until the very end of the opening, (despite it being really cold), and at the end of the night I gave the shirt to Tom.
I'm really proud to have been a part of such a great show. Here's a photo with some of the amazing people I was lucky enough to set it up with.
On the right of that photo is Western Australian artist George Egerton Warburton.


I didn't know George before the trip but we were sharing a small two bed hotel room for half a week, and became best buds very quickly.

George and I would come home from a night of wandering about Kings Cross, get into our beds, turn on the TV and fall asleep watching Survivor.

Speaking of Survivor, did you hear Destiny's Child have gotten back together?

Sunday, January 13, 2013

PETROL STATION EVERYDAY OF 2011


Hey, so I figured it's about time I wrote on here about my piece, Petrol Station everyday of 2011.

So ok, basically I took a photo of the Ferntree Gully petrol station every day of 2011. 

That's pretty much it.

Here's an example of some of the photos.
 
So there's 365 of these photographs, one from each day of 2011, from January 1st to December 31st.

I exhibited the work in July 2012 in a show called ANYTHING, EVERYTHING AND ONE OTHER THING, curated by Tom Polo at Sydney gallery Alaska Projects. 

For the show I presented the photographs in a traditional slideshow format, with the images playing through on a loop in chronological order, and projected on an intimate scale and very low to the ground.
Alaska Projects was a particularly ideal space to show the work as Alaska's situated deep in an underground public car park.

The 365 image slideshow makes up half of the work, the other half is a text piece. 

The text piece is an explanation and anecdote of the reality of going through with this idea. 

The text piece consists of exactly 365 words.

Here's the text.





Petrol station in 365 words.


In 2011 I photographed my petrol station every day, from January 1st to December 31st. Every photo was taken with a Nikon d90 DSLR using an 18-55ml lens, standing in the same spot.

The petrol station is a 5 minute drive from my house, and an hour away from Melbourne city and the university I attend full time.

When approached I would say I was a commerce student documenting the petrol prices for uni.


I had to stop buying my petrol there.

My friends became mad with me for missing so many parties.



I had to cut short hot dates and once devastatingly turned down a free holiday with my girlfriend. It was funny for a while but eventually gave the impression I’d never prioritize her over my art, which is a truly difficult problem to overcome.

In July I went to Tasmania. The flight was at 7am so I took the photo at 5am. Taking that photo meant that the night before I couldn’t sleep closer to the airport with the people I was going with. It also meant I could only stay in Tasmania for one night.

For about two months I was sick. Once I didn’t get out of bed until 9pm, the only thing I did that day was take the photo.

In November I thought I had appendicitis, I spent the night in the Emergency Room and all I could think was that if I needed surgery I’d miss my photo.

In June my camera needed repairing so I had to keep re-borrowing the schools every day, anxiously hoping no-one else wanted it. This was the time of Japan’s radiation problem and that’s where the parts come from so the repairing took weeks. The exact thing happened again with my lens.

As the year went on I gained more confidence at pointing a camera at people. Some ducked, some waved, some stuck their thumb up, some stuck their finger up. One man desperately wanted to fight me.

Taking these photos was a stressful and punishing burden on my life. I once saw a Dilbert calendar that said, “Goals are a form of self inflicted slavery”.

I’m proud I did it. 



For ANYTHING, EVERY THING AND ONE OTHER THING, I printed off exactly 365 copies of the text piece, and stacked them in a pile next to the projector.
Petrol station everyday of 2011 was also included in the latest issue of Un Magazine

For Un I presented the text alongside only twelve of the photographs, one from each month of the year.
There's a lot more I could say about this, but that's probably enough for now. 
Oh, I also made a calendar out of the photos and gave it to my brother for Christmas.

If you'd like your own petrol station 2013 calendar, or maybe you'd like to get in really early for 2014, (or even really, really early for 2015), then send me an email because I'd be happy to make you one.

Thanks for reading. See you soon.

Thursday, January 10, 2013

The wrong op shops

Hi. Here's a sad drawing I did last year about opportunities. 

And as we all learnt from Eminem's Lose Yourself, they come once in a lifetime yo.

It's marker on paper, 21 x 29.5cm.